The new album is available exclusively to purchase on iTunes and stream on Apple Music. Once “Views” goes silent, however, it won’t be difficult to hit replay. The only song that feels out of place is the final one, the poppy hit single “Hotline Bling,” which feels tacked on simply because it was a hit. The Canadian artist has been teasing this LP all week, having unveiled its album art and tracklist just recently. Songs ebb and flow smoothly, but rightly never stand out as possible big radio hits unlike his previous album, “Nothing Was the Same.” Drake’s latest, however, finishes much stronger with the soaring, penultimate “Views,” perfectly wrapping up the previous hour-plus experience with thoughts on his journey to success, tackling morals, and facing disloyalty among the music industry. Drake’s highly anticipated fourth studio album VIEWS has finally dropped. Future, Drake’s co-headliner for their upcoming Summer Sixteen Tour, features on “Grammys” but doesn’t make much of an impact compared to Drake’s particularly strong verses in the song.ĭespite the epic 82 minute runtime of the 20-track album, Drake finds wonderful consistency in the music. It was released on April 29, 2016, by Cash Money Records, Republic Records, and Young Money Entertainment. While you can skip slow and shallow tracks like “Redemption,” definitely seek out more insightful collaborations with PARTYNEXTDOOR (“With You”) and, of course, Rihanna (“Too Good”). Views is the fourth studio album by Canadian rapper and singer Drake. The strongest songs are when Drake pulls himself out of his self-pity and brings a greater self awareness to the music. The album is structured as the passing of seasons, starting with the cold and distant “Keep the Family Close.” Though hurt and bruised, Drake heats up throughout the track list with songs like “Hype” and “Still Here.” Winter to summer and back to winter again.” In an interview with Beat 1’s Zane Lowe leading up to the release of “Views,” Drake said that “the album is based around the change of the seasons in our city. Nevertheless, Drake brings powerful beats and enough swagger with each song to elevate his music above simple whininess. He continues to encapsulate his sad-face internet meme persona while keeping the egotistical raps calling out his critics and competitors. There’s nothing wrong with Drake lamenting on his failed relationships and trust issues, but it feels like well-tread ground. The rapper may offer an introspective on struggling to find love when living such a lavish lifestyle, but it’s difficult to sympathize with at some points in the album. Maybe it’s bad timing, but “Views” has less impact when hearing Beyonce’s approach compared to Drake’s. The two albums are similar as they both deal with issues of loyalty and love. Its unsurprising that Drake continues to be the subject of so much online mocking. Last weekend, Beyonce launched her already culturally defining visual album, “LEMONADE,” cultivating a flurry of think pieces on fidelity and the role of black women in society. Drakes album art for Views from the 6 featured his totally.
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